This is one post in a series of fifteen. Each post will focus on one song by The Tragically Hip, a Canadian rock n’ roll band. I am a fan, not an expert. The thoughts expressed in these posts are my own, with the following two exceptions: I have drawn inspiration and knowledge from a book entitled, The Never Ending Present by Michael Barclay. I have, also, learned much from a website dedicated to Hip fans, entitled The Hip Museum. I will give credit to either source when applicable.
I love a good line. The Tragically Hip are known for their imaginative, poetic, intelligent use of words in their songs. It is one of the qualities of the band that endears them to me. Sometimes, it is the language, itself, that catches my eye…..such as, “A bum’s eye for clothes”. Sometimes, it is an ordinary line that Gord’s voice makes extraordinary…such as, “I want to help you lift enormous things.” from At Transformation. Sometimes, the line they come up with is interesting because of the language used and then, how that language reflects a broader truth that the band is aiming for. For me, that is the case with Springtime in Vienna. The line that I love is simply, “We live to survive our paradoxes.”
“Springtime in Vienna” explores the nature of paradoxes and, in particular, the contradictions inherent in any act of creativity. True creativity is the ultimate in freedom of expression. However, for a band who understood the business implications of their creative decisions, lines like “Instructions from the manual could have been much more plain. The Blues are still required. The Blues are still required again.” offer insight into the artistic compromises that must occur. Creativity is freedom but, there must be rules. As soon as there are rules, then freedom is no longer pure. The band accepted that it lived a paradoxical life thus, “We live to survive our paradoxes.” They would be creative, on their terms but, within reason it seems.
(#HM) The origin of this song occurred one evening in New Orleans, when the band witnessed a lovers quarrel. Paul Langlois is credited with saying that the quarrel made him feel it was Springtime in Vienna. This is a reference to when the evil that was the Nazis invaded the beauty of Vienna, flush with the awakening of springtime. That Hate can emerge in the amid Love, as in the lovers quarrel or, Evil can temporarily push aside Beauty, as in Vienna during World War II, caused Gord to think of the very creative paradoxes that the band faced early in their career, as they sought to define the uniqueness of their voice in an industry that demanded conformity and predictability.
For me, I appreciate the choice of the word, paradox, for this song because it is a rich, literate word that gives a sense of the intelligent discourse the band wished to have with its fans. But, juxtaposed to this was the realization that for many fans, screaming the word, paradoxes, from the cheap seats was really just an exhilarating, cathartic experience. Let’s be honest, the word sounds cool to shout out. The dichotomy of expression; from band to fan and from fan, back to band, is at the heart of The Hip’s creative paradox. That they kept producing such excellent work for over thirty years is, to me, evidence that they have, indeed, learned to survive their own paradox…and, quite nicely, at that.
The video for “Springtime in Vienna” can be found here.
Thanks, once again, for stopping by to read my words. I appreciate it very much. If you have any comments to add about this song, about paradoxes in your own life, about screaming words out in public or anything else that may tickle your fancy, please feel free to do so in the comment box below. Thanks to The Tragically Hip for the integrity of their creative expression. It is most appreciated..