Tag: #BruceSpringsteenAndTheEStreetBand

The Top 500 Songs in Modern Music History…Song #132: Rosalita by Bruce Springsteen and the E Street Band (RS)

This list of songs is inspired by lists published by radio station KEXP-FM from Seattle in 2010, as well as the latest poll taken in 2021 by Rolling Stone Magazine. For the most part I will faithfully countdown from their lists, starting at Song #500 and going until I reach Song #1. When you see the song title listed as something like: Song #XXX (KEXP)….it means that I am working off of the official KEXP list. Song XXX (RS) means the song is coming from the Rolling Stone list. If I post the song title as being: Song #xxx (KTOM), it means I have gone rogue and am inserting a song choice from my own personal list of tunes I really like. In any case, you are going to get to hear a great song and learn the story behind it. Finally, just so everyone is aware, I am not a music critic nor a musician. I am a music fan and an armchair storyteller. Here is the story behind today’s song. Enjoy.

RS: The Top 500 Songs in Modern Music History.

Song#132: Rosalita (Come Out Tonight) by Bruce Springsteen.

There is a classic Saturday Night Live sketch starring Eddie Murphy called, “The Hot Tub Party”. In that sketch, Murphy channels his very best James Brown; grunting and squawking in time with the beat of the Funk band playing live beside him, dipping his toe in the bubbling hot tub water dozens of times before actually going in, dropping his robe, only to have an attendant drape it again over his shoulders and, on and on, it goes. The sketch lasts only a few minutes but the tension that gets built up by the constant teasing of Murphy before getting into the water makes, “The Hot Tub Party” sketch one of the most memorable SNL sketch of all-time. What really helps make that sketch so awesome is that James Brown actually acted that way in concert. He was known for stretching out his songs past the point when most people thought they would end. He was notorious for feigning exhaustion and “needing to be helped off stage” only to revive himself at the last second, throwing off the robe draped over his shoulders, returning to centre stage, filled with renewed fury and off he would go again. There were many in James Brown’s audiences who thought that his style of showmanship was the essence of Rock n’ Roll/Funk/Blues and Soul. One of those people who lapped up James Brown’s style was, obviously, Eddie Murphy. A second person was a young man from The Jersey Shore named Bruce Springsteen.

It is hard to believe that there was a time when Bruce Springsteen was an unknown singer backed by an unknown band. But, it is true. In the early 1970s, the world knew as much as Bruce Springsteen as they did about his Jersey peer, Southside Johnny and his Ashbury Jukes. Bruce Springsteen was just a teenager with dreams of someday making it in the music business. But, as we know, he was no ordinary teenage boy, thrashing away in his parent’s garage or basement. Right from his earliest days, Bruce Springsteen was a writer. As a young man, he wrote songs that read like plays. When he sought to become an actual peformer, his idea was to turn his shows into theatre. At that time, there was no one with a greater sense of theatricality than James Brown, the Godfather of Funk. So, Springsteen married his play-like songs with James Brown’s showmanship style and, as a result, a new music star was about to be born. By the time Bruce Springsteen released his second album, “The Wild, the Innocent and The E-Street Shuffle”, he had written a song that read like a memoire and clocked in at almost seven minutes long. That song was “Rosalita (Come Out Tonight)” and this is the story of that song and why it became the one that Springsteen used to close out the regular portion of his shows, leading into the encore segment of the concert.

“Rosalita (Come Out Tonight)” is, essentially, a song about a randy teenage boy, filled with energy and angst, hoping to lure the girl of his dreams away from the protective grasp of her parent’s home. Needless to say, in lesser hands, this sort of song can go awry and become hung up on the sexual longing of being a teenage boy. But, with Springsteen’s poet’s touch, “Rosalita (Come Out Tonight)” becomes a wider chronicle of how teenage boys see the world. It is about our pent up energy and strength, coupled with the expectations of society that fuel so many of our ambitions. There is some question of how autobiographical the song actually is. There are some who say that there was a girl with a similar sounding name whose parents disapproved of Springsteen’s musical lifestyle and dreams and forbade her to date him. There are others who suggest that Springsteen based the song title on the church near where he grew up, called “Rosa de Lima”, with the song lyrics telling a similar tale of “you shouldn’t have given up on me so soon because look at what I’ve become” swagger. Whatever the case, “Rosalita (Come Out Tonight)” has become a statement song for Bruce Springsteen and the members of his band. It may be about a girl but, in truth, it is about something broader such as having a full and total belief in yourself and your vision for the future and using that as fuel to fulfill your dreams and attain what you want in life. Some critics say that “Rosalita (Come Out Tonight)” is one of the songs that best exemplifies “The American Dream” and, as such, it has resonated with audiences from the first time most people have heard it.

“Rosalita” was one of the very first songs to introduce the world to the fury and energy with which Bruce Springsteen and the E-Street Band played live. The song was never released as a single and only became known via word of mouth, as well as, by being played on FM radio stations shows where fans could call in requests and have the DJ play their request on air. Eventually, a live version of “Rosalita (Come Out Tonight)” was filmed and released to the public. It was at that time that most people say the magnificence of the band for the first time. It certainly was the national debut for the Big Man, himself, Clarence Clemons, who has an excellent sax solo in this song. Overall, the song, “Rosalita (Come Out Tonight)”, along with “Born To Run”, announced that a new way of playing Rock n’ Roll had arrived. Springsteen was no mere Pop star. He was Shakespearean in calibre, with all of the Funk of his hero, James Brown, fuelling his live shows. The future of Rock n’ Roll had, indeed, arrived.

Here is that future come to life in the form of an epic rendition of “Rosalita (Come Out Tonight)” from the album, “The Wild, The Innocent and the E-Street Shuffle” by Bruce Springsteen and the E-Street Band. Enjoy.

The link to the video for the song, “Rosalita (Come Out Tonight)” by Bruce Springsteen and the E Street Band, can be found here.

The link to the official website for Bryce Springsteen and the E Street Band, can be found here.

The link to the official website for Rolling Stone Magazine, can be found here.

The Top 500 Songs in Modern Music History…Song #12: Born To Run by Bruce Springsteen and the E Street Band (RS)

This list of songs is inspired by lists published by radio station KEXP-FM from Seattle in 2010, as well as the latest poll taken in 2021 by Rolling Stone Magazine. For the most part I will faithfully countdown from their lists, starting at Song #500 and going until I reach Song #1. When you see the song title listed as something like: Song #XXX (KEXP)….it means that I am working off of the official KEXP list. Song XXX (RS) means the song is coming from the Rolling Stone list. If I post the song title as being: Song #xxx (KTOM), it means I have gone rogue and am inserting a song choice from my own personal list of tunes I really like. In any case, you are going to get to hear a great song and learn the story behind it. Finally, just so everyone is aware, I am not a music critic nor a musician. I am a music fan and an armchair storyteller. Here is the story behind today’s song. Enjoy.

RS: The Top 500 Songs in Modern Music History.

Song #12: Born To Run by Bruce Springsteen and the E Street Band.

“Born To Run” is the song that announced Bruce Springsteen’s arrival as a music star to be reckoned with. It is the song that caused both, Time and Newsweek Magazines to post his photo on the cover of their issues at the same time; with Time declaring that Springsteen was “the future of rock n’ roll”. Looking back forty years from now to when “Born To Run”, the album, was released, it seems hard to believe that Bruce Springsteen was ever anybody other than the poet and wordsmith that we know him as today. But, in fact, “Born To Run”, the song, not only launched his career into the mainstream, it actually saved his career. So, before discussing the song, itself, let’s go back a bit and put things in historical context because the story of “Born To Run”, the song, is reflective of the times in which is was written. Here is that story.

“Born To Run” was Springsteen’s third album. His first two albums did not sell well and, in the eyes of his record company, it was going to be three failures and you were out! So, there was a lot riding on the songs written for this album. But, it also matters that the album, “Born To Run” was written in the 1970s. The pendulum swings of History are such that bad times often follow good and then back to bad again. The 1960s, as we know, was a time of Hope and Optimism. The whole “Summer of Love” vibe was real while it lasted. But, when everything came crashing down in Vietnam, with Watergate, with the murder at Altamont Speedway, the mood in America soured. Not only that but, economic performance mirrored that mood and a recession took hold. This caused many towns and cities that revolved around the performance of manufacturing factories to suffer. With sales down across the board, factories laid off thousands of workers. Those factory jobs once were lifetime appointments and were a key to stabilizing the American Middle Class. But, when the downturn struck, the Middle Class lifestyle felt great pressure. Consequently, the economies of small towns and cities all across America went into a period of decline. This was especially true in the town of Freehold, New Jersey, where Bruce Springsteen grew up.

In Freehold, high school students did one of three things: they graduated and moved away to pursue opportunities elsewhere…..they stayed and were lucky enough to find work in one of the manufacturing plants located there or else, they stayed and didn’t work at all. That was the bleak future that stared Springsteen in the eye as he passed through his teenage years. What was he going to do for a living? Many of his HS classmates recall Springsteen as being introverted and almost someone who faded into the background because of how low he kept his profile. It was only when he started playing in small, local bands that he began to feel any sort of calling. At the time, the Jersey shore was home to a hardscrabble music scene that saw musicians such as Southside Johnny and His Ashbury Jukes, Clarence Clemons, Steven Van Zandt, Danny Frederico and others playing in small bars up and down the coast. As time went on, Springsteen began to gather likeminded bandmates around him. Together, they began to carve out a reputation for the intensity of their live shows, which often lasted for three or four hours at a stretch. It was at this time, after HS graduation, that Springsteen and his friends, now known as The E Street Band, were signed to a contract. As mentioned already, his first two albums were commercial flops. Despite this, he and the E Street Band continued to hone their craft with live performances. Then came the album, “Born To Run”.

“Born To Run” is filled with songs such as “Thunder Road”, “Jungleland” and “Born To Run” which are all constructed around the idea of escaping the life that is laid out before them. The vehicle of escape is, literally and figuratively, cars; with engines and wheels being the dreams that fuel the escape from the drudgery of small town American life in the 1970s, toward a place where pursuing The American Dream may be possible. Just like “Thunder Road” *(which you can read about here), “Born To Run” involves a guy and his girl and his car. But, what separates this song and elevates it up into the realm of a classic is in the poetry of the lyrics and in the ferocity of the band’s live performances.

First, the lyrics. Here is how Springsteen describes life, as it exists, in his small town:

“In the day we sweat it out on the streets

of a runaway American dream.

At night we ride through the mansions of glory

in suicide machines.

Sprung from cages on Highway 9

Chrome wheeled, fuel injected, and steppin’ out over the line

Oh Baby, this town rips the bones from your back

It’s a death trap……it’s a suicide rap

We gotta get out while we’re young

’cause tramps like us, Baby, we were born to run!“

Music critics fell in love with the majesty of these lyrics and dubbed Springsteen as the new Bob Dylan. That such poetic lyrics were paired with a wall of musical sound that would have made Phil Spector proud, helped push “Born To Run” over the top in the minds of many music writers. But, what really brought Springsteen to the next level was when the rest of America, that existed beyond the rusting promenades of the Jersey Shore, finally got to witness Springsteen and the E Street band perform the song live. Those who had watched Bruce Springsteen play as a teen in those small bars were not surprised when “Born To Run” was released as a single. That was the Springsteen they had come to know. But, to everyone else, he and the band were a powerful force that blasted away the malaise that had fallen over America, including the music scene as well. “Born To Run” was powerful and manly and filled with energy and sound that appeared to be coming from everywhere, all at once. For many Americans who were suffering during the economic downturn in their own factory towns, “Born To Run” became an anthem that offered the Hope that better days were coming; in their towns or elsewhere but, those better times were possible. It was a song that spoke to the idea of “Freedom”, as it is viewed as an integral part of the fabric of the nation…..and it did so without ever using that word in the song.

The success of the album, “Born To Run” allowed Springsteen the creative freedom to more closely flow his own muse, rather than fall into the trap of having to produce more radio-friendly “hits”. What followed next for the band were the highly acclaimed albums, “Nebraska” and “The River”. “Born in the USA” waited down the pike but, it would never have happened, either, if not for a song about escaping hard times, with the one you love by your side and a fast car to get you there, called, “Born To Run”.

So, without further delay, here is Bruce Springsteen and The E Street Band, with the song that really started it all for them, “Born To Run”. Enjoy.

The link to the video for the song, “Born To Run” by Bruce Springsteen and The E Street Band, can be found here.

The link to the official website for Bruce Springsteen and The E Street Band, can be found here.

The link to the official website for Rolling Stone Magazine, can be found here.