Tag: #BoDiddly

The Top 500 Songs in Modern Music History…Song #24: How Soon Is Now? by The Smiths (KEXP)

This list of songs is inspired by lists published by radio station KEXP-FM from Seattle in 2010, as well as the latest poll taken in 2021 by Rolling Stone Magazine. For the most part I will faithfully countdown from their lists, starting at Song #500 and going until I reach Song #1. When you see the song title listed as something like: Song #XXX (KEXP)….it means that I am working off of the official KEXP list. Song XXX (RS) means the song is coming from the Rolling Stone list. If I post the song title as being: Song #xxx (KTOM), it means I have gone rogue and am inserting a song choice from my own personal list of tunes I really like. In any case, you are going to get to hear a great song and learn the story behind it. Finally, just so everyone is aware, I am not a music critic nor a musician. I am a music fan and an armchair storyteller. Here is the story behind today’s song. Enjoy.

KEXP: The Top 500 Songs in Modern Music History.

Song #24: How Soon Is Now? by The Smiths.

“How Soon Is Now?” is a funny song in many respects. It is a song whose sound has come to represent the entire genre of Alternative music from the 1980s and 90s and yet, it never charted well and was only, initially released as a B-side single. “How Soon Is Now?” opens with as iconic an opening guitar riff as any song, from any era but, because it was created using so many experimental techniques, it became notoriously difficult to play live and, as such, there are few videos of The Smiths actually ever playing this song in concert. Many Smiths fan view “How Soon Is Now?” the same way many Nirvana fans view, “Smells Like Teen Spirit” which is to say, none of them view the song as being the band’s best work nor do they think it acts as being truly representative of who the band really was. And yet, here we are at the very end of this countdown, with a song that is universally regarded as one of the most important songs ever created. How did that happen? Let’s find out why. Here is the story of “How Soon Is Now?” by The Smiths.

“How Soon Is Now?” was never released as a stand-alone single. It was placed as a B-side to a song called, “William, It Was Really Nothing” and didn’t appear on an album until The Smiths released a compilation album called, “A Hatful of Hollow” in 1984. One of the reasons stated for not releasing the song as single was that it was seven minutes in length, which was thought to be far too long for a conventional radio song. As also mentioned, the fact that the song was difficult to fully replicate live meant that it was not a song that should be promoted thus creating an expectation among fans that they would buy the single and then see it performed at the next Smiths show. So, “How Soon Is Now?” was left to find its own legs, so to speak. Which it did….in clubs and basements and bedrooms by those for whom this song became an anthem.

The lyrics to “How Soon Is Now?” were written by Morrissey, as they always were in this musical partnership that he and Johnny Marr shared. As songs go, the lyrics are rather sparse, compared to the musical structure, which carries the lion’s share of the weight in this song. But, that is not to dismiss the lyrics because, as Morrissey was often able to do, he tapped into the emotional angst of an entire generation of lost souls with two verses that went, as follows:

“I am the Son

And the Heir

Of a shyness that is criminally vulgar.

I am the Son and Heir

Of nothing in particular.

You shut your mouth!

How can you say

I go about things the wrong way?

I am human and I need to be loved,

Just like everybody else does.”

As was often the case with Morrissey, he drew inspiration for his lyrics from classic works of literature. In this case, he borrowed the line about being “The Son and Heir of nothing in particular” from the book, “Middlemarch” by George Eliot. But, most of all, Morrissey captured what it felt like to feel awkward and shy and unwanted and unseen. We lived in a world then, as now, where we were led by the media and by advertisers to believe that everyone was living lives of glamour and pleasure and that we could too, if only we were in better shape or more fashionable or whatever. But, the reality for a great many of us was that we felt that we were underwhelming and not deserving of happiness. We looked at our less-than-perfect bodies and our ordinary clothes and wondered how we were to ever stand out and be noticed. That is what Morrissey captured with his lyrics to “How Soon Is Now?”. He said to the world that he was shy and awkward, too. At the end of the song, he wrote that:

“You go to the Club on your own.

You leave on your own.

You go home and you cry and you want to die“.

Whether or not the metric we use to evaluate our own self-worth should be predicated on how we are viewed in the eyes of others, through the socially-distorted lens of the media, is up for debate. But, what isn’t up for debate is how easily we all fall into the trap of self-defeatism. We give up before we even give opportunity the chance to find us on the dance floor. So, we sit at the bar, heads bowed and listen to the words and chords of a band who got us like no other ever did. “How Soon Is Now?” is our anthem. And, judging by how popular the song has become over time, the army of the disaffected must be legion.

So, without further delay, here is one of my favourite “sounding” songs of all-time. “How Soon Is Now?” by The Smiths is a song that spoke to the young man I used to be and continues to speak for millions the world over, almost forty years after it was first released as a throw-away B-side song that never felt as though it fit in. Enjoy.

The link to the video for the song, “How Soon Is Now?” by The Smiths, can be found here.

The link to the video for a behind-the-scenes look by Johnny Marr, at how the song was made, can be found here. ***In this video, Marr talks about the type of music that inspired him as a young boy and, in particular, a man named Bo Diddly. Marr mentions that “Bo Diddly beat”….I wrote about that here, should you care to learn more about that.

The link to the video for a short documentary about “How Soon Is Now?” and why it holds such an important place in music history, can be found here.

The link to the official website for The Smiths, can be found here.

Thanks, as always, to KEXP, for playing the best and most important music since forever. The link to their wonderful website can be found here.

The Top 500 Songs in Modern Music History…Song #280: Hey, Bo Diddly by Bo Diddly (RS)

This list of songs is inspired by lists published by radio station KEXP-FM from Seattle in 2010, as well as the latest poll taken in 2021 by Rolling Stone Magazine. For the most part I will faithfully countdown from their lists, starting at Song #500 and going until I reach Song #1. When you see the song title listed as something like: Song #XXX (KEXP)….it means that I am working off of the official KEXP list. Song XXX (RS) means the song is coming from the Rolling Stone list. If I post the song title as being: Song #xxx (KTOM), it means I have gone rogue and am inserting a song choice from my own personal list of tunes I really like. In any case, you are going to get to hear a great song and learn the story behind it. Finally, just so everyone is aware, I am not a music critic nor a musician. I am a music fan and an armchair storyteller. Here is the story behind today’s song. Enjoy.

RS: The Top 500 Songs in Modern Music History.

Song #280: Hey, Bo Diddly by Bo Diddly.

The importance of Bo Diddly and what he contributed to the evolution of Rock n’ Roll music, as we know it today, cannot be understated. As I have written many times throughout the course of writing these posts, the foundation of modern Rock music can be found in the Blues. And, when it come to the Blues, Bo Diddly is one of the titans of the genre. When folks speak of the legendary Bluesmen, they often speak of people like Muddy Waters, B.B. King, Albert King, Robert Johnson and Bo Diddly. But, as much as I write about Rock evolving out of the Blues scene, I have never specifically given an example of when that bridge from one genre to another took place. Well, that changes today. The man often credited with being the one who gave Rock n’ Roll that Bluesy beat that is so characteristic of early Rock music was none other than, Bo Diddly. In fact, (and you can even look this up if you are interested), they have even named that early way of playing Rock n’ Roll the “Bo Diddly Beat”. I am going to do my best to describe it in a way that makes sense and that captures the essence of a musical innovation that transformed music as we know it. *If any of my friends who are actual musicians and guitar players wish to add corrections or more detail to what I am about to say, please feel free to do so.

The beat of a song helps give it rhythm and power. The faster the beat, the more energy a song tends to emit. In Indigenous cultures around the world, a drum beat signifies a heartbeat and, as such, it is a very primal sound that comes from the core of one’s being. Consequently, a beat, in a piece of music, is one of the most fundamental aspects of that piece of music. When songs are constructed, musically, the beat count tends to be in a pattern that often repeats so that if you were to look at a sheet of music, you might see, for example, a 2/4 or 4/4 at the beginning of it. That would indicate that the beats pause a little during each measure (2/4) or they are continuous (4/4). The pace or frequency of the beats helps to define the structure of the song and, among other things, helps the audience to know when to clap or jump along with the song as it plays.

Anyway, what Bo Diddly did, waaaaay back in the 1950s was to create a beat that worked on an “off-beat” or, simply, beat pattern that was not every beat (4/4 time) or every other beat (2/4 time). The best way I can describe his beat structure is to refer you to the old song line, “Shave and a haircut….two bits!” In school, we often help children learn about the concept of a syllable by having them clap out the parts that they hear. In the case of “Shave and a haircut….two bits”, you can clap that out and see that the “Shave and a haircut” part has a certain rhythm but that the , “two bits” section has a quicker, sharper rhythm. Once you understand that, think about how it would sound if, instead of clapping, you separated the syllables with thick, bass guitar notes played in the same style and at the same speed as your clapping. When you watch the video and hear Bo Diddly play, pay close attention to the “thump-de-thump-thump…THUMP-THUMP!” structure that lay beneath his sounds. The beat structure has two differing parts which gives it the name, “off beat”. That “Bo Diddly Beat” was the beat that changed music forever! It was the beat that inspired the first wave of rock n’ rollers like Little Richard and Chuck Berry. In fact, Berry’s song, “Maybelline”, which we profiled in an earlier post, was constructed, almost note-for-note, using the Bo Diddly Beat.

Bo Diddly never had a chart-topping hit in his entire career yet, he is considered one of the most legendary musicians of all-time. In 1963, The Rolling Stones opened for him during an American tour! When he died a few years ago, Mick Jagger and Keith Richards spoke at his funeral and both commented on what a tremendous influence he was on them becoming musicians and on how his innovative guitar style paved the way for all who followed in his wake. Bo Diddly is enshrined in every conceivable musical Hall of Fame you can think of. In each case, his induction was made during his first year of eligibility. To think it all happened because of his desire to play a beat that drew upon his Latin and African and Bluesy roots….the core of whose he was….. and because of who he was, he changed everything for everyone! What an enduring legacy! What a musician!

Ladies and Gentlemen, I am proud to present, the legendary Bo Diddly with one of his most well-known songs, “Hey, Bo Diddly”. Enjoy. And don’t forget to listen for that Bo Diddly Beat structure. It is the true foundation upon which Rock n’ Roll was built.

The link to the video for the song, “Hey, Bo Diddly” by Bo Diddly, can be found here.

The link to the official website for Bo Diddly, can be found here.

Thanks, as always, to KEXP, for supporting the best artists and music since….well, almost forever. The link to their official website can be found here.